Saturday Double Feature: Proud Mary (2018) and…

Another Saturday means another Saturday Double Feature!

Okay, let’s start with a quick recap of the “rules”, shall we? The basic idea here is to take a movie that is out in theaters now, and pair it up with another movie from the 1980s or before. Sometimes the connection will be obvious, and sometimes it’ll be a little less so, but that’s part of the fun.

Let’s talk 70s blaxploitation movies for a minute, shall we?

Yes, I know, in today’s world the concept might seem more than a bit odd, but back in the day it was definitely a thing, One f the things that you have to keep in mind is that during this time period many movies were not given the huge national release that seemingly every film has today, nor were they expected to bring in huge audiences from all across the spectrum. Nor were all theaters the vast multiplexes with 824 screens that litter the landscape today. (And no, I’m not going to diatribe about how those 824 screens all seem to be showing the same seven movies – at least not today, anyway. We’ll save that for some other time.)

Instead, most theaters were small, one-screen affairs locate in various neighborhoods throughout the city, and ofttimes those theaters (many independently owned and programmed) would show movies that they thought would appeal to the local clientele. Quite often, for those theaters located in predominantly African-American neighborhoods, this meant movies which featured black actors in the lead role. Films such as Shaft, Uptown Saturday Night, and, yes, Blacula, are all examples of what became known as the blaxploitation genre.

By the way, I feel I should point out that for lovers of the films of the period, blaxploitation is not meant as a derogatory term. Instead, it’s more of a play on the broader exploitation cinema genre which was huge back then.

Anyway, even before I saw the first trailer for the new movie Proud Mary, upon just seeing the poster, I was immediately taken back to those days and that genre.

You see, there was even a further sub-genre within the blaxploitation realm which featured the bad-ass black woman who not only had to fight against racial prejudice, but also against male supremacy. Often these movies would feature the lead taking revenge against gangs or other people who had wronged her or someone close to her.

The undisputed queen of this sub-genre was Pan Grier, who starred in many movies including Foxy Brown, and is perhaps best known today as the lead in Quentin Tarantino’s 1997 Jackie Brown. She’s also the lead in the flick I picked for today’s double feature, Coffy.

In Coffy, Grier stars as a nurse who sets out to seek revenge for her sister’s drug addiction and to fight the drug relate violence that is infecting her town, This leas to her taking on both gang lords and the mob, an eventually sees her going undercover as a prostitute and eventually taking out a number of drug dealers in increasingly violent ways.

So what do you think? What would you choose for a double feature with Proud Mary? Leave your thoughts in the comments, along with ideas of any other upcoming movies you’d like to see “double featured”. Consider it, if you will, your chance to challenge me to come up with an interesting pair.

Until next time, Happy Viewing!

Saturday Double Feature: The Greatest Showman (2017) and…

Hey, it’s Saturday, and that means the return of the Saturday Double Feature!

Okay, let’s start with a quick recap of the “rules”, shall we? The basic idea here is to take a movie that is out in theaters now, and pair it up with another movie from the 1980s or before. Sometimes the connection will be obvious, and sometimes it’ll be a little less so, but that’s part of the fun.

The Greatest Showman may just as well have been called The Greatest Bullsh!tter, because not only was P.T. Barnum a master of the art, but the movie is also completely full of it when it comes to Barnum’s life and business practices. Nonetheless, it does go a long way to showing once again why Hugh Jackman is one of our most muli-faceted and greatest living showmen today.

Of course, The Greatest Showman is not the first movie to be set at a circus, nor is it even the first to feature Barnum’s circus. In 1952 famed director Cecil B. DeMille brought the actual Ringling Brothers and Barnum & Bailey circus to the big screen for the movie The Greatest Show on Earth. Starring Betty Hutton, Cornel Wilde, Charlton Heston, James Stewart, Dorothy Lamour, and Gloria Grahame, the film also incorporated the real circus’ 1951 troupe with its complement of 1400 people, hundreds of animals, and 60 carloads of equipment and tents. The movie went on to win two Academy Awards for Best Picture and Best Story, and was nominated for Best Costume Design, Best Director, and Best Film Editing. It also won Golden Globe Awards for Best Cinematography, Best Director, and Best Motion Picture – Drama.

So what do you think? What would you choose for a double feature with The Greatest Showman? Leave your thoughts in the comments, along with ideas of any other upcoming movies you’d like to see “double featured”. Consider it, if you will, your chance to challenge me to come up with an interesting pair.

Until next time, Happy Viewing!

Throwback Thursday – The Perils Of Pauline (1947)

Between this blog and my previous one, Professor Damian’s Public Domain Treasure Chest, I’ve been writing about movies for quite a while now. Because of that, there are a lot of posts that have simply gotten lost to the mists of time. So, I figured I’d use the idea of “Throwback Thursday” to spotlight some of those older posts, re-presenting them pretty much exactly as they first appeared except for updating links where necessary or possible, and doing just a bit of re-formatting to help them fit better into the style of this blog. Hope you enjoy these looks back.

As promised last time, here’s a follow up to last week’s Throwback Thursday, once again from the Professor’s blog and dated July 8, 2010.

———————-

The Perils of Pauline (1947) – Any Resemblance To Personas Living Or Dead…

pp2aSo Tuesday we took a look at the 1914 serial The Perils of Pauline which was one of the first cliffhanging serials and starred Pearl White as the eponymous Pauline, and I figured today it might be fun to take a peek at a film that could be considered sort of a follow-up.

By 1947, the popularity of the serial film was beginning to fade, as television began to move into peoples’ homes, and attendance at the Saturday matinees, at which these shorts had become a staple, had seen a sharp decline. As a matter of fact, just a year before, Universal had shut down its serials department (along with it’s B-pictures unit) to concentrate solely on feature films. This was the beginning of a change not only in the way films would be produced, but in the way that the public saw the movie-going experience and what they expected when they went to their local theaters.

Nonetheless, there was still, at the time, a certain fondness for the serials, and this certainly factored in to Paramount’s decision to produce this somewhat lavish musical very loosely based on the life of one of the first stars of the passing era.

Understand, when I say “loosely based” on the life of Pearl White, I don’t just mean the writers and producers shuffled some of the events of her life around and combined some of the people she met into one for the sake of cutting down on the number of characters or to make it easier to follow. Instead I mean (as the subtitle above indicates) it really should have one of those “Any resemblance…” notifications at the beginning.

pp2bTake, for instance, the first song and dance number in the film – the Sewing Machine Song which shows Pearl working what is basically a sweatshop in Brooklyn while waiting for her big break. The only problem with this is that the real Ms. White was from a farm in Missouri and began performing with the local Diemer Theater Company during her second year of high school. Then, in 1907, at age 18, she went on the road with the Trousedale Stock Company, working evening shows then eventually joining the company full time, touring through the American Midwest. That same year she married fellow actor Victor Sutherland, but they soon separated and eventually divorced.

Of course, that same opening number also shows that this film isn’t in any way intended as a serious biography of Miss White, but instead is to be a showcase for the humor and talent of Ms. Hutton, and when taken on that level alone, it truly succeeds. Hutton, perhaps best known for her role as Annie Oakley in Annie Get Your Gun, has an energy and an  irresistible charm that overwhelms any plot issues or historical inaccuracies, and almost threatens to overwhelm her co-stars, especially the in comparison rather bland John Lund who simply doesn’t seem able to keep up with his frenetic co-star.

In the end, The Perils of Pauline showcases that old adage that sometimes one simply can’t let the facts get in the way of telling an entertaining story.

Here’s a quick scene from early in the film which shows Pearl getting her “big break”:

And here’s the Skinny:
Title: The Perils of Pauline
Release Date: 1947
Running Time: 96mins
Color
Starring: Betty Hutton
Directed by: George Marshall
Produced by: Sol C. Siegel
Distributed by: Paramount Pictures

Until next time, Happy Treasure Hunting,
-Professor Damian

—————————–

Hope you enjoyed this blast from the past.