The short intro: For those who are unfamiliar with the concept, Old Time Radio is the phrase generally used to refer to the time when radio was (mostly) live, and was full of a variety of different shows, as opposed to simply being a means for record labels to use robots to promote the top records of the day. OTR Tuesday is my chance to explore some of those old radio shows, their connections (both old and new) to movies, and hopefully to encourage some of the rest of you to take a look at a probably unfamiliar source of entertainment that I truly love. If you want more info on OTR, and some examples of the variety of shows that were made, be sure to check out this introductory post.
I thought today might be a good time to take another look at one of the true classics of the Golden Age of radio.
Suspense actually got its start on the CBS program Forceast, which was designed as a tryout show which provided a place for pilots of ideas that the network was considering giving their own slot. The pilot for Suspense, which aired on July 22, 1940, featured an adaptation of Marie Belloc Lowndes’ story “The Lodger”, directed by Alfred Hitchcock and starring Herbert Marshall, Edmund Gwenn, and Lurene Tuttle. Hitchcock had already filmed the story in England in 126, so he was already familiar with it, and this was his American radio-directing premier. Interestingly, in a very audacious move, Hitchcock holds back the actual ending of the story from the radio audience, thus compounding and confounding the promised emotion. I’ve provided this Forecast audition/pilot as the first item below.
Over its twenty year run the program went through, as would be expected, a number of various iterations and sponsors. Beginning as a sustained program in 1952, it wasn’t until two years later that it picked up its first advertiser, Roma Wines. Eventually, during what most consider the heyday of the program, it was sponsored by Autolite spark plugs.
As indicated by the title, the main focus of the show was mystery/thriller stories, though in later years it did tend to present more horror/science fiction tales along with the mysteries.
One of the more interesting aspects of the program, and perhaps one of the reasons not only for its longevity but also for its popularity, was that it wasn’t afraid to re-present stories that proved popular with its audience. These were not actual re-runs, however, but actual new productions of the same script, sometimes with the participation of the original cast, and sometimes without. For instance, Suspense presented Lucille Fletcher’s story “Sorry, Wrong Number” eight different times during its run, first on May 25, 1943, and for the final time on February 14, 1960. Amazingly, every one of these presentations featured the great Agnes Moorehead in the lead role!
Suspense also, especially in its later years, was known for re-using scripts from other popular CBS programs, most notably what some consider to have been in a way its sister show, Escape, and The Mysterious Traveler. (Both of which, btw, I’ll be featuring in upcoming OTR Thursday posts.)
At its height, Suspense was able to draw a number of great Hollywood stars to its microphones, including Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant.
One final note: the date of Suspense’s last broadcast, September 30, 1962, is often cited as “the day the golden age of radio died”. Though that may not be literally true – obviously there were other broadcasts and shows that continued beyond that point, it is a significant milestone and turning point for the radio drama format, and for lovers of these great radio shows.
But let’s not dwell upon that today. Instead let’s sit back and simply be entertained by one of the truly all-time great radio programs and more tales calculated to keep you in…